Malcom McDowell, IF….
Joan Crawford, JOHNNY GUITAR.
Toni Servillo, THE GREAT BEAUTY.
Karen Allen, RAIDERS OF THE LOST ARK.
Malcom McDowell, IF….
Joan Crawford, JOHNNY GUITAR.
Toni Servillo, THE GREAT BEAUTY.
Karen Allen, RAIDERS OF THE LOST ARK.
My favorite songs of the year.
The eternal emperor of progressive rock and world music, Peter Gabrial returned this year with the warmly familiar and pop-ethereal “Road to Joy”, my #1 choice of the year.
The Golden Dregs: “Dealer”.
Two from Quasi: “Gravity” and “Last Long Laugh”.
Big Thief: “Vampire Empire”.
Ulrika Spacek: “If The Wheels Are Coming Off, The Wheels are Coming Off”.
Sunny War: “No Reason”.
Lonnie Holley (with Sharon Van Etten): “None Of Us Have But A Little While”.
Iggy Pop: “New Atlantis”.
…And one retro choice I embraced more fully than in 1982: The Waitresses’ “Square Pegs (Theme Song)”. How did I miss this banger when I was 18?
From the poster files.
The marketing team just said, “Go nuts.”
I still don’t understand the artist’s placement of Connery in this image.
Spoiler alert.
1979 was a hell of a year for horror…
ALIEN.
THE AMITYVILLE HORROR.
THE BROOD.
DRACULA.
NOSFERATU.
PHANTASM.
PROPHECY.
SALEM’S LOT.
TOURIST TRAP.
ZOMBIE.
I love that in her broad and varied career, one of the many accolades she received was a Saturn award for her terrific supporting role as a no-bullshit medical officer in OUTLAND.
Esa película en la que todo el mundo cantaba y lloraba: MAGNOLIA.
Start to finish, one of the best bits in one of the funniest films of the past 20 years. The Christinith Affair: THE OTHER GUYS.
A very brief, very advanced note of negativity about my year in film: these were the 2023 releases that disappointed me the most.
Unpleasant, dull, shrill, irritating. Or, in some cases, just bizarre: how do you make a film about a Cocaine Bear that isn’t a lean 90 minutes of absolute batshit thrills? (Narrator: It wasn’t.)
BEAU IS AFRAID.
SHAZAM: FURY OF THE GODS.
FAST X.
INFINITY POOL.
THE FLASH.
INSIDE.
65.
COCAINE BEAR.
Oh, how I love Akira Kurosawa’s DREAMS (1990).
JODOROWSKY’S DUNE (2013).
BELLADONNA OF SADNESS.
THE CASTLE OF CAGLIOSTRO.
WORLD OF TOMORROW 2.
Philip Haas’ 2009 exhibit "Butchers, Dragons, Gods and Skeletons”.
MY DINNER WITH ANDRES.
If you were looking for a nifty Lee Marvin triple feature, I would suggest THE PROFESSIONALS, POINT BLANK, and PRIME CUT.
One of my favorite films of the last 20 years: Pawel Pawlikowski’s exquisite IDA (2013).
General appreciation for Sidney Lumet.
Will we ever see Juno Mak’s SONS OF THE NEON NIGHT? It’s been so, so long…
General appreciation for an old favorite I first saw when I was far too young to understand it all: QUATERMASS AND THE PIT.
The exquisitely wackadoo American poster.
The slightly more subdued English version.
General appreciation for the late great Buck Henry.
Behind the scenes on the JU-ON set, no one held a grudge.
A great film, but this scene really tears me up: 25TH HOUR.